Ambos A Do

A game song from Puerto Rico that is a variant of a song that probably came to Spain in the eighteenth century from France, known as Un Beau Chateau (A Beautiful Castle) that gradually lost its meaning over time, becoming the nonsense words Ambos A Do.  This version could be used to practice re.

Source: Folkways Recording of Deisy Parilla (age 10) with other children (1977).

Amambrocha To

This is a question-answer Cuban-American Game Variant of an old Spanish song in which the players name jobs they would like in Spanish.

Source: Ziamora Andux (Age 13) and Evelia Andux (Age 11) (1939) from the Library of Congress Recording

Arirang

This haunting Korean folk tune has been sung for over six hundred years.  Dr. Campbell suggests pairing it with a traditional changgo drum pattern.

Source: Campbell, Patricia Shehan. Tunes and Grooves for Music Education. p. 25

Zudio

An African-American Play Party for two lines of partners. Download dance steps or alternate improvisational dance.

Sources: Jones, Bessie and Hawes, Bess Lomax Step It Down: Games, Plays, Songs, and Stories from the Afro-American Tradition. pp. 137-138
Eisen, Ann and Robertson, Lamar.  An American Methodology: An Inclusive Approach to Musical Literacy. p. 410

Vamos A Jugar

This is a fun Spanish-language playground game collected from San Antonio, Texas.
Source: SPU Kodaly Summer Institute, Level 2 Materials

Up, Down

This game is great for the primary grades, especially at Halloween.
Source: Trinka, Jill.  The Little Black Bull and Other Folk Songs, Singing Games, and Play Parties. Folk Music Works. 1996. pp. 50-51

Uncle Jessie

This song from the Georgia Sea Islands can be used with all ages with either movement exploration or a partner ring play.
Source: Jones, Bessie and Hawes, Bess Lomax.  Step It Down: Games, Plays, Songs, and Stories from the Afro-American Heritage. pp. 112-114

Twinkle, Twinkle Little Star

Source: Ed. by Kerby, E. C. Folk Songs North America Sings p. 165

Tommy Tinker

I remember singing this song when I went to outdoor camp and acting out the part where Tommy sits on a red-hot clinker (a hot coal)!  It makes for a rousing round when four groups are standing with alarm and crying, "Ma! Ma!"
Sources: Zanzig, Augustus D.  101 Rounds for Singing. Published by World Around Songs Inc. p.19
Stephanie Trinneer from song sung in childhood.

Ti Ya Ya

This circle folk dance from the Ukraine is in 3/4 and requires some balance as dancers sway side to side, forward, and back while holding hands basket-weave style behind their backs.
Source: Ed. by Davis, Andy and Amidon, Peter and Mary Alice.  Down in the Valley pp. 40-41

Tideo

This rousing Texas play-party song can be played as a hand-clapping game with double circle of partners or a partner-swinging dance and is great for teaching sixteenth notes.
Sources:  Eisen, Ann and Robertson, Lamar.  An American Methodology: An Inclusive Approach to Musical Literacy p. 393
Owens, William. Texas Folk Songs p. 160

There Came A Girl From France

This Scottish children's game is perfect for students to create and sing about ways to move.  I like to sing it as a cumulative song, where we sing and move to each verse that preceded the new verse.  It's a great workout for the body and mind!
Source: Brumfield, Susan.  Hot Peas and Barley-O: Children's Songs and Games from Scotland

Sweet Potatoes

This Creole folk song from the Louisiana Bayou makes for a beautiful partner song when paired with Mango Walk.
Sources: Seeger, Pete.  Fireside Book of Fun and Game Songs.
Silver-Burdett Music Text

Suo Gan

This beautiful Welsh lullaby has only three notes but offers many possible verses and potential arrangements.
Source: SPU Kodaly Summer Institute, Level 1 Materials

Starlight, Star Bright

This is a simple three-note song from England that is beautiful when sung or played and lends itself easily to vocal improvisation with a coda, "I wish for..."
Source: Eisen, Ann and Robertson, Lamar.  An American Methodology: An Inclusive Approach to Musical Literacy.  p. 387

Slahal

This is a traditional bone game from the Salish tribe in British Columbia, Canada.  
Sources: Locke, Eleanor G. Sail Away: 155 American Folk Songs to Sing, Read, and Play.  p. 3
Stuart, Wendy B. The Canadian Journal for Traditional Music  Coast Salish Gambling Music
The Burke Museum of Natural History and Culture Website

Skin and Bones

My students love to sing this at Halloween and act out the part of the old woman, the bones, and the BOO!
Source: Locke, Eleanor G.  Sail Away: 155 American Folk Songs to Sing, Read, and Play. p. 52
As sung by Jean Ritchie of Viper, Kentucky

Simama Kaa

Kedmon Mapana says this song in the Swahili language is taught in schools in Tanzania.  It teaches the words simama (stand), kaa (sit), and ruka (jump).
Source: Mapana, Kedmon.  March 2012 Northwest Kodaly Educator Workshop Notes

Shalom Chaverim

This Hebrew-language round is a lovely minor tune, and works well as a farewell song.
Source: Zanzig, Augustus D.  101 Rounds for Singing. Published by World Around Songs, Inc. p. 42

Rosy, Apple, Lemon, and a Pear

This English folk song about a wedding has various ways for a "bride" or "bridal couple" to move in and out of the circle, often through arches created by the players.
Source: Brumfield, Susan.  Hot Peas and Barley-O: Children's Songs and Games from England